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"He has, sir.",

In the case of the sheet Mr Greyquill held, it had been folded to resemble a letter, but it had not been made one; it bore no address, and the communication started at once without the prefatorial "Dear sir," or the like, and it closed without signature or initials. But Mr Greyquill immediately saw that the handwriting in pencil was Mr Lawrence's, and that the document must have fallen from that gentleman's pocket just now when they parted.,

Pledge, who chewed slowly as a cow the cud, watched his companion steadfastly, his temples throbbing with the action of his jaws, and said: "Do you believe it, John?",

"Hully gee! ol' feller, look!" Maurice extracted the wand and held it up before the animal's gaze. "Oh, don't put your ears back an' grin at me. I ain't goin' to use it on you," laughed the lad. "Look! This is what I'm goin' to do with that ol' bruiser's pointer." From a trouser's pocket he extracted a jackknife. "Now horsie, jest you watch me close. The next time he makes a cut at you he's goin' to get the surprise of his life. There, see? I've cut it through. Now I'll jest rub on some of this here clay to hide the cut. There you be! If I know anythin' 'bout seasoned hickory that pointer's goin' to split into needles right in his hand. I hope they go through his ol' fist and clinch on t'other side."

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"Let's hustle," urged Billy. "They may come back any minute.",

"Two down," cried Stanhope. "Good work, Billy!",

"Gosh!" whispered Billy. "I should say so; they're right onto us," and almost with the words the old gun roared again and again.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.